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Spirit of the Sea … in Cornish… Spyrys An Mor

Spirit of the sea sounds so romantic in Cornish, and perhaps this describes my style of painting.  Energetic, but with a romanticism about it, picking out the beauty in all things in nature, even finding it in the depths of the winter hedge.

This is the title for my solo ART Exhibition which begins this weekend.

With the sea in always in view, there’s always an immediate feeling of peace.  It calms and lifts the spirit in all weathers, even through some of the stormy spring, early summer weather we are experiencing at the moment.

Is it the space, the infinite horizon that allows the eye to relax into it?  Or is the memory, instant transportation to a time you spent on the beach which has stayed deep. All what has become known as the ‘feelgood factor’

All these things mean something to all of us.  All encompassed in the ‘Spyrys An Mor’, Spirit of the Sea.

Manonabeach is an internet phenomenon who asks “What does the beach mean to you”.  There are hundreds of short videos of him interviewing people of various beaches all around the country.

Here is his story  www.manonabeach.com   And his YouTube page. He started his journey in Cornwall but has taken it everywhere calling  journeys around the coast.  He remains anonymous, to keep the focus on the beaches, but has got an invite to my exhibition.  I am not expecting him to introduce himself, but I will keep my out for him at the Private Viewing.

 
 

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Oh to have been Peggy Guggenheim, Venice!

Our journey to Venice began last year at Port Eliot Festival in Cornwall. London Chef, Russell Norman of Polpo restaurant gave a demonstration in the kitchen on Venetian Tapas and Killer Cocktails!. I feel in love with Aperol, the orange aperatif added to prosecco to make a Spritz.  I was completely sold on the idea of going to Venice  to celebrate our 30th wedding Anniversary.

venice 2013 (23)                                                                                                                                                                 The story didn’t end there though. Where to stay?  There were hundreds of hotels, and thousands of reviews. I contacted Russell Norman via Twitter, and we booked La Calcina on his recommendation. Known as Ruskins house, it is a small venetian guesthouse on the Zattere in Dorsoduro and turned out to be the perfect location.

Dorsoduro

  Dorsoduro

At this point I have to tell you why it has taken me two months to write this blog post. My camera SD card was corrupt when I got home and despite all efforts with ‘aggressive’ data recovery by a local I. T guy, half of my photos were gone!  I am just getting over the disappointment and have vowed I will be going back to take more. So,I have trawled images on google to fill in the gaps where I can but of course it’s never the same

We arrived in Venice by a shared watertaxi. We sped across the lagoon with a Mexican, three Americans, another English couple and an Australian, driven by Franco at what can only be described as breakneck speed. When we got into the canals and were dropped off one by one at our hotels, we slowed right down and pushed the roof back so we could take it all in.  It was a great way to arrive.

Water Taxi heading to Venice

Water Taxi heading to Venice

First impressions were that it was dark, busy and tired looking. Certainly not what I had in mind. The Grand Canal felt like a bit of theme park in parts; touristy, busy, spoilt. But scratch beneath the surface and go off the beaten track, it has its own unique beauty.  Someone told me the best thing to do was get lost, don’t rely on your camera, look with your eyes!, and appreciate the non existence of traffic noise.

Gondolas in a Quieter Area.

Gondolas in a Quieter Area.

Down the Grand Canal

Down the Grand Canal

 

 

 

 

 

 

 

 

 

 

The Dorsoduro area is quiet, elegant, more open in parts and breathes. We met a Scotsman  who rented an apartment and had lived there for a year. We shared his enthusiam for the venetian bacari, bars where you stand, eat chicheti, bite size explosions of flavour served on rounds of bread. washed down with prosecco, wine or a spritz. And the coffee!

The island of San Gorgio Maggiore was just across the Guidecca Canal and from its Campanile, there are breathtaking views over all of Venice.  I looked to find photos similar to those I have lost, but couldn’t quite recreate the sun setting over Venice with a silhouette of the statue on the dome of the church beneath me. You will have to imagine it until I go again.

If you go to Venice, a must see for me is the Peggy Guggenheim Art Gallery. It still feels like her home, with references everywhere to her life and family with pieces of furniture and photographs. Her daughter, Pegeen’s artwork was fascinating. I had never seen Jackson Pollacks up close and now love them.  They are definately not just all squiggles and drips!. And its not all painting. Lovely sculptures fill the garden, quirky mobiles hang from the ceilings and I loved the blue glass figurines which shimmer in the iron fretworked windows with the green light of the Grand Canal  behind.

Peggy Guggenheim in Venice

Peggy Guggenheim in Venice

 

I came home wishing I had lived the life of Peggy Guggenheim. How exciting to have lived  in this modern palazzo right on the Grand Canal, surrounded by new art, interesting people, eating and drinking the venetian way. swishing around the peaceful waters of Venice in your own private gondola.

Oh to have been Peggy Guggenheim!

She lived in Venice for 30 years, collecting  and socialising in the Art world when the world was at war. Venice must have been a haven then and not the tourist hotspot it is today.

 

 

The weather wasn’t always good.  We had a day when it poured all day. Watching water pouring out off the roofs it had nowhere to go but the canals and we experienced Aqua Alta for the first time. But by contrast the next day was wall to wall sunshine. This is when Venice glitters literally like a giant glitter ball, the sea pale green blue, the mosiacs catching the light and light bouncing off the canals even in the narrowest of alleyways.

We walked everywhere for the first two days and then bought vaparetto passes to go further out of the main areas, see the Grand Canal properly and skirt around the outside.  We didn’t do the Doges Palace, Murano Glass or the Accademia. I wasn’t  that enamoured with St Marks Square, but the Basilica was stunning.

It’s free to go in and people file in, go around and out again. But when you arrive at the entrance go directly to the right and the museum. Up the steep steps, you can go out around the domes and get a stunning view from outside, whilst inside the gold mosiacs are within touching distance and the original copper horses are there along with all sorts of artefacts and tapestries. Hardly anyone was there, and it is easily missed.

View from Basilica Dome

View from Basilica Dome

Behind St Marks Square and north is full of very narrow beautiful canals and shops.  We found the most “beautiful bookshop in the world”. Maybe not that beautiful, but definately quirky, saw saltcod soaking in barrels, ate cuttlefish in its ink, had grappa and expresso coffee and the odd limoncello.

Other places we visited were C’a Rezzonica, a restored venetian palazzo with amazing art and frescos; C’a Pesaro; the modern art museum with a Bonnard painting I fell in love with; Frari church with great stories to tell; the Rialto market and countless small bacari.

My top tips are: If flying in, get a seat on the right for a view of Venice from the air. Take a watertaxi to your hotel (shared is good value and fun). Walk on the right side ( not natural for the english) and don’t worry if you get lost; bizarrely you naturally seem to go round in circles. Find places away from the Grand Canal and St Marks Square if you want value for money. Prego is used all the time to say thankyou, you are welcome, what would you like? It rolls off the tongue after a while. Visit churches to see art.Listen to some classical music. Wear comfy shoes. Venetians are direct and have grace, not rude or slow. Many places are closed on Sunday or Monday. Dorsoduro area not touristy, but lively and great places to eat as well as having the Gondola workshop the only wooden building in Venice and the Zattere, a wide walkway lined with trees. Three or four days is long enough, but be prepared to feel the need to return.

Don and I on the Rialto Bridge

Don and I on the Rialto Bridge

I hope this gives you a taste of our trip to Venice. We will be returning to see the Accademia, the Giardini gardens and to get lost again! .  I can recommend Russell Norman’s book ‘Polpo.  Great venetian cooking with plenty of cichetti .

A friend had some wise words…some people go on holiday and follow the guidebook to a ‘T. Some go away with no idea and don’t find anything new, but some go away and make their own journey of discovery seeing a place in a new way.  This must be why travel blogs are so popular; that unique perspective and hope that I have managed that too.

 
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Posted by on May 2, 2013 in Art diary, Holidays

 

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Carry a Smile on your Face, Have a Thankful HeART, like CREO

Drifting in and out of sleep, the early morning is the time when relaxed, the mind has unravelled but I will wake suddenly with an idea, usually some words which have come together that I don’t want to forget. Rather than snuggling down under the duvet on this cold march morning, I got up trying to put my dressing gown on upside down, grasping the tail of the words I have in my mind before they run away from me forever.

I know a man Leonard Creo, the father of a close friend. He was recently interviewed and filmed by a university student, Moss Davis as part of his film studies and I want to share it with you.
I say ‘I know a man’. What I really want to say is ‘I have MET a man who has such spirit and enthusiasm for life, he provokes thought and change and is never forgotten’

At this point, rather than read on I want you to watch the short film below and you too can then appreciate the man. The beauty of this film is that a man of a mere 20 years has captured the essence of a man who has lived 90 years. Watch and enjoy this Vimeo film by Moss Davis

CREO

I love the simplicity and honesty and his whole philosophy. As is the man, Creo’s artwork is full of honesty and gentleness and light. Artist strive to capture light and he achieves it with such a deftness of touch with soft blending and lots and lots of colour! Art is also “non verbal communication” and we all hope that our art makes that connection.

This man has such a strong life force, he lights up the room when he enters , a man who has lived and breathed Art for so many years he has learnt to see the world and simplify it, see beyond the surface. His paintings and sculpture are full of emotion and story where we can make our own ending.

For when I meet Creo, he wants to talk ART! He has lived and breathed Art for a lifetime as a professional artist and the passion is still there. We don’t talk about what is happening in the art world or other art, but about the process and what I think is true Art, what you see around you, REALLY SEE. He has also embraced technology at 90 and challenges his art process by trying out new techniques and inspires others to do so too.

When I think of him, it reminds me of a lovely phrase I found in my great grandmothers autograph book from the early 1900′s and which I made into a wallhanging. It reads….
“carry a smile on your face and have a thankful heart” Says it all really.

 
8 Comments

Posted by on March 12, 2013 in Art diary

 

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Cry Me a River...

Reblogged from Mihaela Gruia:

  • Click to visit the original post

Meanwhile on randoMpaGe 77 of Janet Todd's Sensibility...

"...tears indicate response; they denote tenderness, sympathy and a feeling heart. react to suffering with subtle gradations from weeping hysterically to dropping a single tear. Such physical manifestations constitute a language of the heart, a code of sincere and true expression far beyond words which have the ability to lie and conceal."

Read more… 921 more words

I'm not having a melancholic day.. and loving every day but found this so touching, I wanted to share it.
 
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Posted by on March 8, 2013 in Art diary

 

St Pirans Day celebrated with Early Morning Beach Walk

St Pirans Flag flying proud

St Pirans Flag flying proud

Me in my fav hat at the beach

Me in my fav hat at the beach

 

 

 

 

 

 

 

 

 

 

Up with the lark, I set off for the beach for an early morning walk to celebrate St Piran’s Day.  Soaking in the sounds and feelings, I never take this amazing place for granted.

We will be down the beach later for a pasty lunch and maybe a spot of sketching. The weather is set to change tomorrow, so better make the most of it.

Happy St Piran’s Day everyone

Across the beach to Bude Breakwater

Across the beach to Bude Breakwater

 
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Posted by on March 5, 2013 in Art diary, Cornwall

 

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A great day to celebrate being Cornish me ‘ansome

Cornish flags flying and waving, a piper playing, crowds gathering to parade the downs across the beach and back again to Crooklets beach and the surf club for tea and chatter.  A great way to celebrate St Pirans Day, the patron saint of Cornwall which isn’t actually until Tues the 5th March, but having it at the weekend means it draws a bigger crowd.

Piper playing Cornish Anthem

Piper playing Cornish Anthem

The leading party heading across the beach

The leading party heading across the beach

 

 

 

 

 

 

 

 

This annual walk is organised by Vicko (Peter Vickery) of Bude Surf Life Saving Club. We are the most northerly town in Cornwall, but have one of the most spectacular beautiful routes of all the parades throughout the county.

I wrote about the meaning of the flag in a post two years ago for anyone who is interested, but won’t repeat myself here .   Significance of the black and white cross on the cornish flag

The beautiful cornish Flag

The beautiful cornish Flag

The Parade heads off.

The Parade heads off.

 

 

 

 

 

 

 

 

Nostalgia and pride in being able to say I’m Cornish, stirs up an interest every year in colloquial words seldom heard nowadays, but also in the revival of the true Cornish Language. My exhibition last year was titled “Mordros”, the Sound of the Sea.  I have been wracking my brains to come up with a title for this years exhibition and because I couldn’t better it, thought of calling it “Mordros II” . But you can’t beat a bit of brainstorming and asking around and the one I like the most is “Spyrys a Mor” which translated is “Spirit of the Sea”.  This is very apt for my paintings,

There are several local words I remember which I think are just peculiar to Cornwall.  One is ‘sowpig’ which is a woodlouse.  ’cheel’ a youngster, ‘ansome lovely, ‘furse’ gorse, ‘scat’ break, ‘proper’ good and of course ‘Dreckly’ cornwall’s equivalent to Manana, do it later.

More old cornish dialect can be see here List of Cornish dialect words”

 
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Posted by on March 3, 2013 in Art diary, Bude, Cornwall

 

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Outdoor studio in the February Sunshine

February often rewards us with a few sunny days and offshore winds and weather out to sea, bring in big surf. It also means that the beach hut is sheltered and in the mid day sun, we were getting at least 18C of warmth.

detail of barrel rock to add to painting

detail of barrel rock to add to painting

I cut a large piece of canvas at least 1.5 metre square, packed up the paints taking my largest brushes and set up down at the beach.

painting station

painting station

 

Not a great view, Look at all those stones... but I was painting the sea!

Not a great view, Look at all those stones… but I was painting the sea!

I painted for at least an hour and a half, hardly looking at the sea, but letting creativity and all the senses take over,  splattering and splashing, adding water and inks and looking up periodically to get an idea of the colour.

This was as far as I got and the painting will be finished at home.

Aah! … thought I might have to stay all night; it couldn’t be moved while it was wet and then how was I going to get it home?  I brought it down rolled up. Oh how us artists have to suffer. We got the chairs out and had our first barbeque of the year and asked the family down. By the time we left, it was dry enough to move and we managed to tease it into the back of the van and then the dilema  was to find somewhere to put it at home.

It’s now on the studio floor and I’m having to step over it until I can finish it, dry it and get it to the framers. No detailed pics… sorry!  want to save this one for the ooh’s and aah’s at the exhibition.

Barbeque time. 1st of the year, with family.

Barbeque time. 1st of the year, with family.

I’m writing this two days later. It’s still dry, but boy! has the temperature dropped. Have to grab these opportunities when they come. :-)

 
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Posted by on February 21, 2013 in Art diary

 

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