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Tag Archives: North Cornwall National Trust

Cruel and curious a major part of my artistic journey.

Cruel and Curious, the concept and vision of Cai Waggett of Hickory Nines, and lucky for me just up the road has just had it’s third show, ‘Hinterland’. Held in the barns at Stowe Barton, a medieval farmstead owned by the National Trust adds an instant air of mystery, but it is more about the camaraderie; a band of people that together with the  artists have created such a special event that is more about experience and atmosphere than a selling or commercial stage.

It’s beauty lies in the undiscovered; the knowledge that there is so much more; and  that the depth of creativity  is bottomless. The show  held over two days at the end of September has had exposure but remains a somewhat elusive event that you have stumbled across and feels very special and almost humbling.

The huge walls and lofty barns give shelter from the Atlantic coast; the smell of rum fuelled coffee, music and the magic of film projected onto the old stone walls makes for a laid back unpretentious atmosphere as artists mix with friends, family and make new acquaintances, bringing their own unique take on the theme in individual spaces side by side.

On a personal level, the artistic journey with cruel and curious over the past three years has been influencial  to say the least. It has been a time of experimentation, fresh materials and endless ideas with enthusiasm that knows no end.

The first year was about finding my feet with a mix of paintings and 3D work using mermaid purses in light boxes. Last year still going with the sea theme, ideas were driven by the huge Altantic storms of the winter which gave me endless pieces of driftwood including broken beach huts and loose pieces of ancient petrified forest that I mixed with resins and painted over.

This year the theme of Hinterland, with the valleys, the trees, impressions of the land behind inspired a direction of total contrast and I used aluminium panels to apply paint. The image of a caravan overgrown in a hedge sparked the idea of ‘Home’.

Most of my work is focused on the coast. It’s where I’m drawn, always to the sea, but when I go inland I love the pure feeling of nature which feels it still has the upper hand and not us, where people are living in harmony with it.  This is their secret to a simple life and they do not always need to find a home in bricks and mortar.

The time of day when you feel this harmony most is at sunrise and sunset or dimity as the light fades.  The wind stills and your other senses are more heightened as you are aware of smells and sounds and not just sights. Another year done, it is one of the highlights of the year and is a meeting place for some of the area’s more enlightened characters.

 

Next year’s theme is a secret, but lets just say I’m already planning and without wishing to wile time away, can’t wait.

 
 

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Community, Art and the Media.

This autumn winter has not been so much a time for painting as a time to put back into the community.

I’ve been involved with the Bude Look Group, a local art appreciation group who with the Tate St Ives and Royal Cornwall Museum are bringing artwork from the schools collection to Bude Castle for an exhibition over the Christmas period. The artwork was donated to the people of Cornwall by practising artists in Cornwall over the past 80 years. It is a fantastic opportunity to bring great calliber of art to this part of Cornwall. The exhibition is titled ‘Your Art’ and we are hoping to get as many local people to come and see it as well as organising workshops for local schools.

The Cruel and Curious Sea II was incredibly successful this year. Before and during the exhibition, the National Trust came to my studio at the barn and interviewed me.  This was used as part of a very atmospheric soulful film that encompasses the people, ideas and creativity behind the whole project.  Here is the resulting film.

https://vimeo.com/114367331

Another passion is keeping the beaches clean and as a supporter of the #2minutebeachclean I was very excited when I saw they launched a competition for people to make christmas wreaths from beach rubbish inspired by the wreath I made a couple of years ago. Martin Dorey tweeted my wreath and it was picked up by the Western Morning News reporter Phil Goodwin.  I got a phone call, quick chat and he quickly arranged a photo shoot.  It was freezing cold, but with great lighting and the beautiful dramatic location of Northcott Mouth, the photographer got a great shot which has appeared in todays Sunday edition.

 
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Posted by on December 14, 2014 in All things Cornish, Art diary

 

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Cruel and Curious Sea II, fitting end to a perfect Summer

The warmth of September has faded into October and it seems a good time to reflect on a full on summer filled with family love, Tom home, lots of beach, social and friends time as well as a few days away. Italy, Port Eliot Festival, Minack Theatre, an art trip to Bristol and painting at Newlyn Art School and representation in a new gallery in Plymouth as well as building up my own space at the Barn studio.

The veg patch also gave us the best crop of tomatoes ever along with grapes, pumpkin, courgette, salad  cucuamelons and tomatillos and endless herbs.  Now I know why it felt like we were never just doing nothing and the tv was turned on a handful of times….. we were incredibly busy!

The last big event of the year for me was ‘The cruel and curious sea II”, and it didn’t disappoint.  Fair weather meant people turned out to Stowe Barton in their hoards and with a bar and food this year, there was a real party atmosphere. It was also larger with more artists and more space to be shown in.

I had the same pitch as last year so knew what I was working with and on the day it all came together and had amazing comments from people having doubted it  all at some times, mainly because it was so far removed from how I have painted over the past few years.  But as always, pushing myself in a new direction led to new discoveries and practices that I can put to use in  future work.

Part of the build up including being filmed at the barn studio with Rhodri from the National Trust, but suspect that the two hours filming might result in 10 secs of film in the final edit, but it was a lot of fun and as often happens, through talking about my art, it also gave me great insight into the what and why of my day to day  painting head.

Cai from Hickory Nines, and Jeff from the National Trust work so hard to make this happen, and with other help from some crew, Stowe is transformed and transported into a timeless warp of cruel and curious sea and everything else and I can’t wait to see what happens next year.

 

 

 

 

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‘Somewhere Out There’, a painting on found wood and others

Riding on the success of Cruel and Curious I, ideas had been coming and going throughout the year as to what to do for this years event. The winter storms provided me with the materials.  I picked up some lovely pieces of driftwood which had been rough and tumbled in the sea and also some pieces of the beach huts that got battered and broken.

After leaving it in the rain to wash out the salt and then priming, I started a few seascapes, but they just looked too ordinary.  The texture of the wood demanded more texture in the paint and also colour.  By chance, the changes in the beaches locally meant that the seabed was exposed as the sand had been dragged away and it provided me with a rich dark clay like pigment.

 

Sue Read Art

Collecting pigment from the beach

Mixed with acrylic gel medium it spread as a gritty rough texture in an unpredictable way.  During the process, I added colour with orange, burnt sienna and  yellow ochre which just added more life and depth.

‘Somewhere Out There’  was the first piece to be completed. The shape of the wood was so easy to work with. Differing colours of blue and mauve with some silver were spattered across it, sitting on top and slipping down the sides of the textured areas. I was so pleased with it, this led me to working on the following pieces too.

I worked on all the pieces at various times, the wood and mood dictating the painting.  Collision and Crash were very inspired by Maggi Hamblings wave paintings, full of texture and colour with layer after layer adding more blues and then warmer colours , corals and yellows to bring it forward and give form.

 

The small panels already had the shape of rock and cliff but it was challenging to get the rich depth and weight of rock.

‘Somewhere out there’ became the centre piece of my exhibit at the Cruel and Curious Art Event held over the weekend of Sept 26th/27th and sold on the first night. More photos of the night can be seen here

Sue Read, Cruel and Curious Art Event

My Stall at Cruel and Curious II

The other pieces are now part of the October Showcase at the National Trust Cafe and Shop at Boscastle.

 

 

 

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Modern Day Morwenna

One of my ideas for the Cruel and Curious Sea Art Show was to make sure Saint Morwenna had a place. She had and has a great influence hereabouts.

This is my take on Morwenna, bringing her into the 21st century, with a nod towards Russian iconography, painted on wood, adorned with gold leaf. Strong, feminine, compassionate she must have been quite a lady. The swallow on the board often a sailor’s tattoo, represents safe passage home. The yellow flowers are Gorse, which has always been the unofficial emblem for Cornwall.

 

Morwenna getting a coat of varnish

Morwenna getting a coat of varnish

The daughter of the a welsh king Brychan and sister to Saint Nectan, Morwenna is said to have built the church at Morwenstow for the local people, carrying stone on her head from beneath Hennacliff circa 500 AD.

Even in the sixth century summers, the water must have looked very tempting and I really want to believe Saint Morwenna enjoyed it as much as the rest of us.

Here she is finished and displayed. I found an old reclaimed salvaged garden metal plant hanger which sets her off perfectly.  It doesn’t really show here, but the LED’s showed off the gold leaf a treat.

Modern Morwenna complete with lighting.

Modern Morwenna complete with lighting.

I think she would have greatly appreciated this film made by Lee Robertson for the Cruel and Curious Sea, projected onto the wall of the shippon with music created specially by  Jack Bessant

 
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Posted by on October 4, 2013 in Art diary

 

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